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Stack of cloth-bound books with dried lavender sprigs and a brass magnifying glass on aged parchment
Autumn EquinoxMidwinterVernalSolsticeEstate SourcedLetterpress StudiosThree ContinentsWax-SealedKraft Paper Wrapped
The Four Editions

A year of curated objects

Each quarter, a wax-sealed box arrives. Inside: one annotated edition, one handmade curiosity, one pressed botanical, and one thing we cannot quite categorise.

Aged leather-bound poetry collection open to handwritten marginal annotations in brown ink
Autumn Equinox
I · 2026
Object 01

The Annotated Tennyson

Found in a Hay-on-Wye estate clearance, this 1887 Macmillan edition of In Memoriam arrived with sixty-three marginal notes in a hand we have not been able to identify. The annotations argue tenderly with Tennyson across a century.

Sourced from Booth's Bookshop, Wales · October
Pressed dried botanical flowers on aged paper with a wax seal beside them
Midwinter
II · 2026
Object 02

Pressed Hellebore & Seal

Hellebores bloom when nothing else dares. These were pressed in December by a botanical illustrator in Edinburgh who has been drying specimens since 1994. Each sprig arrives between two sheets of tissue, still faintly perfumed.

Gathered by Catriona Muir, Edinburgh · December
Letterpress printed broadside poem on cream cotton rag paper with violet-black ink visible
Vernal
III · 2026
Object 03

A Letterpress Broadside

Printed in a single run of 500 on dampened cotton rag paper at a studio in Oaxaca, this broadside carries a poem written specifically for Codex subscribers. The ink is a violet-black mixed by the printer herself from iron gall and indigo.

Talleres Tipográficos del Sur, Oaxaca · March
Antique brass magnifying glass resting on open cloth-bound books with warm candlelight
Solstice
IV · 2026
Object 04

The Brass Magnifier

A Victorian pocket magnifier, its handle engraved with a small bird we cannot name. It spent decades in a curiosity shop in Lisbon before we found it. Through its lens, the fine print of a first edition becomes a landscape.

Livraria Bertrand, Lisbon · June
The Ritual of Sourcing

Nothing here was ordered from a catalogue.

Every object in every Codex edition is found, not manufactured. We travel to estate clearances, sit in the back rooms of antiquarian booksellers, and correspond with botanical preservationists who have been pressing specimens longer than we have been alive.

The result is a box that feels less like a subscription and more like a letter from a friend who reads very seriously and travels very slowly.

Limited to 500 founding subscribers — 347 remaining

Estate Clearances

We attend sales in Wales, Brittany, and Lombardy each quarter, arriving early and leaving with things that have no business being forgotten.

Independent Presses

Twelve letterpress studios across three continents print exclusively for Codex. Each broadside is a single-run edition, numbered and signed by the printer.

Botanical Preservation

Our botanists press specimens at the precise moment of peak bloom — hellebores in December, dog roses in June — then store them in archival tissue for three months before packing.

Founding Subscribers Only

Claim Your First Edition

The first 500 subscribers receive a handwritten note from our founding editor, tucked between the kraft paper and the wax seal.

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347 of 500 seats remaining

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From the First 500

Letters from founding subscribers

The Midwinter box arrived on the shortest day of the year. The hellebores were still faintly perfumed and the annotations in the Tennyson made me cry on the tube. I have not felt this understood by a postal address before.

Beatrice Ashworth
DPhil English, University of Oxford

I gave the Autumn Equinox box to my sister and she immediately asked if I had forged the handwritten bookmark myself. The letterpress broadside is now framed above her desk. This is what gifting should feel like.

Cormac Ó Briain
Antiquarian bookseller, Dublin

I have been a subscriber since the founding edition. Each box is a small argument that beautiful objects and serious reading are not in conflict. Codex makes that argument with extraordinary grace.

Philippa Strand
Literary editor & founding subscriber